Stylistic Analysis of the Poem “Meeting at Night”

The Love Song of Hair Dyal Rudyard Kipling Alone upon the housetops to the northwest I turn and watch the lightnings in the sky The glamour of thy footsteps in the North. Come thorn to me, Beloved, or I die. Below my feet the still bazaar is laid Far, far below the weary camels lie The camels and the captives of thy raid. Come back to me, Beloved, or I die My fathers wife is old and harsh with years, And navvy of all my fathers house am I My bread is sorrow and my inebriety is tears. Come back to me, Beloved, or I dieStylistic epitome of the poetry Meeting at night Meeting at night Robert Browning The gray sea and the long black land And the yellow(a) half-moon large and row And the startled little waves that leap In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its induce I the slushy mother wit. Then a mile of warm sea-scented brink Three fields to cross till a farm appears A tap at the pane, the quick sharp scratch And blue fashion of a lighted match, And a voice less loud, thro its joys and fears,Than the two patrol wagon beating each to each The Theme of the Poem This poem compose by Robert Browning is a poem of love that describes clearly the realitys sailing on the sea to the bay on the beautiful night to go to the girl she loves and meets her at night. In here, it is said that the readers fuel feel the excitement and happiness of the couples on their meeting at night. It is very(prenominal) clear at the end of the poem that the wo public is somehow restless and afraid while waiting for the world she loves.But, upon hearing the mans tap on the window pane, she is very happy and relieved to front him, which only shows how deep their love and missing is. Linguistic Analysis of the Poem byLiu Yueqin Liu Yueqin has presented five lingual presentation of the poem. Here is the following linguistic analysis he had in this poem of Robert Browning a. Phonological features 1. conclusion rhyme The rhyme sch eme is, in the first stanza abccba, in the flash -dedded. There ar five end rhymes as follow a. ? ndland, sand b. ? row, prow c. Ipleap, sleep d, It beach, scratch, match, each e, i? sappears, fears 2. Alliteration long-land in boundary 1the-that in line 3 fiery- from in line 4 pushing-prow in line 5 speed-slushy-sand in line 6 sea-scented in line 7 to-till and field-farm in line8 less-loud in line 11 than-the and two-to in line 12. 3. Repetition And therepeats 3 times in the poem, and there ar totally 8andin the poem. The repetition shows that the man is making long-time causal agency step by step to meet the charr, his lover.However, the effort is worthy since the man loves the charr and expects fiercely to see her, no matter its at night or at day. The refrain occurs at the close of a stanza, where it helps to establish meter, influence the mood of love, and add emphasis. With the usage of end rhyme, head rhyme and repetition, the poem creates aesthetic pleasure and show s the feeling of the couple. b. Graphical features The description of the pic on the sea and on the bay and about the meeting is vivid, magnify and attracting.Through the different angles of vision (the gray sea,the long black land, the yellow half-moon, and so forth ), auditognosis (two hearts beating, etc), olfaction (scented), the readers nates erect feel like world in the situation, and appreciating the charming of meeting at night. c. Lexical features The poem is comparatively brief consist of simple specific concrete words, mainly adjectives and nouns, moreover like casual and gentle narration between lovers or striking monologue.There atomic number 18 4 adjective words about color they aregray, black, yellow and blue, to make the scene at night vivid to the readers. The readers can clearly know that the meeting is at night. The beautiful scene symbolizes the extraordinary mood of the couple. In line 6, words ofspeed, slushy, sandhave alliteration s for imitate the so und of the prow decreasing its speed and gently scrapping in the bay. d. Syntactic features All the sentences in the poem are statement just like dramatic monologue, what the author is very famous with.Many short sentences are linked into long sentences with devices of coordination with the usage ofand. There are totally 5 lines beginning withand. Coordination gives clauses equal syntactic status, and establish peaceful mood. It seems that the man has met the woman at night many times, and gets very familiar with the process. e. Semantic features In first stanza, the author usesstartledandfieryinstead ofsurprisingandhot. The avatar gives human form or feelings to the waves and ringlets, inanimate objects to show that the mans feeling is startled and fiery.In second stanza,tap, scratchandspurtare gentler, lovelier, and shorter in time thanknock, scrape, and spring. These words can vividly to describe the feeling of the couple. The man arrives at just outside of the house, and taps t he glass with the love in his heart. When he is waiting for the appearance of the woman, he is very nervous and upset. The woman is also nervous and upset. After hearing the tap, she lights a match to lights the mall and feels happy and fears to meet her lover.